“Equus” by Peter Schaffer Essay

genus genus EquusThe play Equus by Peter Schaffer investigates ideas of faith, passion, violence, and girlish raiseuality. Schaffer was inspired to write the play after hearing a justlyful(a) story a crime involving a teenage boys seemingly motive little violence and injury to horses. Equus is a fictional account of what Schaffer believes could nourish happened before the incident, helping to explain the psychology and cogitate behind the boys mysterious and disturbing crime. Equus follows near the char recreateer of 17 year-old boy Alan Strang, ex make forly likewise his psychiatrist, Martin Dysart. In this military personnel of writing, I plan to explain how we explored the play of Equus in a variety of diametrical activities within our drama crystallize.ResponseThe play opens with Martin Dysart, the psychiatrist, playacting a soliloquy that introduces the chief(prenominal) themes of the play. mount one is devoted alone to this speech, which supplys its importanc e and vitality. We learn much ab show up Dysart from this speech. For example, the line All reined up in old/language and old assumptions illustrates how he feels trapped and disappointed in his life. In addition, he says, Im desperate which shows his exhaustion and frustration.This facet was particularly challenging to rehearse and perform for various reasons. For one, it is a long speech so there is the challenge of learning it. Also, you motive to make sure that your volume, tone, and speed are correct. at that place are truly few stage directions so there is the added difficulty of knowing how to act when performing, and how to show his pain and anger. It is in addition hard, when rehearsing a piece, non to lose its spontaneity which is particularly vital in this speech.In Scene two, Dysart is looked by Hester Salomon, a magistrate and close associate of Dysart, and Alans horrific crime is revealed to the hearing. The line Hester speaks is in truth simple, but tells all that is necessary He blinded six horses with a metal spike. My initial response to this line was shock, revulsion, and horror, but at the same duration I was intrigued why Hester panorama Dysart would be adapted to fix Alan (Does he take in more power or chest than the psychiatrists?) My feelings, however, did change as the play unfolded and I became more sympathiseing and less surprise as the question of why did he do it was explored.At the beginning of Scene terce (and the end of Scene two), we are introduced to Alan Strang, who has pull this f righteousnessful act. In this scene, Dysart questions Alan, but rather than simply replying, Alan chooses to sing boob tube adverts. This gives a very strange first impression. We later find out that Alan was forbidden to watch TV so how does he know these tunes? This was a very difficult scene to rehearse and perform without laughing and it was comic to watch.Another scene we studied closely was Scene seven. In this scene , Dysart goes to visit Alans parents, Mr and Mrs Strang. From this scene, we learn much well-nigh Alans upbringing and how events in his childhood whitethorn have subconsciously had a negative gist on Alan, and how it may have influenced what he did.One of the main factors that had a strong influence on Alan was his mothers somewhat innate obsession with religion. Dora Strang is a very religious woman, with strong Christian beliefs, whereas Alans father, Frank, is an atheist who is worried that Doras constant reading of the Bible to Alan has had a negative effect on him its the Bible thats answerable for all thisan innocent man tortured to/death thorns driven into his repoint nails into his handsit can mark anyone for lifeall that stuff to me is barely bad/sexIn reading this scene, I think Schaffer precious the interview to feel intrigued to the highest degree the big part religion has contend withal, in a conversation between Dora and Dysart near the start of the scene, she says Alans always been such a gentle boy. He loves animals /Especially horses This confuses the audience slightly because it makes you think that if he liked horses so much, why did he do such a terrible thing to them? This information enables us to understand Alans obsession with horses, later revealed in the play.The scene also draws very strong images of Frank and Dora, who are both very different from one another Dora has unintentionally influenced her son with religion, and she is very upset over the matter I simplydont understandAlan (She breaks sow in sobs). Frank, on the other hand, seems to spend little time with Alan, and didnt let him watch TV (Dysart) But surely you dont have a set, do you? I understood Mr Strang doesnt approve. This may also have affected Alan because it prevented him from being like ordinary children further him to become weird.Schaffer creates a negative image of both characters for this reason, but also makes you pity them. They purposely mea n to hurt Alan and are both shocked and distraught about what has happened. As a director, I would want to accentuate how the Strang family is very different from an ordinary family, Dora with her strong religious beliefs and Frank pressure on no TV.The third and final scene we studied in depth was Act 2, Scene 33. In this scene, Jill has lured Alan back to the stables although Alan is reluctant and faint-hearted of whether he should go. Scene 32 (Alan to Jill) The stables? (Jill) Of course (Alan recoiling) No Alan says no to Jill iii more times, but they still go. Later, in Scene 33, Alan insists that the door is locked. Also, in this scene, Alan becomes very un escaped. One reason for this is because he cannot go through with having sex with Jill and is humiliated, although Jill is very understanding. The other reason is that he believes that deity has seen what has happened through the look of the horses in the stable. This is the reason why he blinded the horses so deit y could not witness him committing a sin. This fear puts Alan in a distraught state that follows on to the act of him blinding the horses in the final scene.The agree activity I participated in was hot-seating Alan about that night. We took it in turns to play Alan, and apiece did our best to answer questions about the night in character.Development freezing FramesAfter reading the play we spit into groups of five. In these groups we decided which three points of the play were the most important or had the biggest impact on the audience and had to present them as three freeze-frame images. The first point we chose to depict was in Scene 3 Dysart has just met Alan and is intercommunicate him various questions. We showed this by having Alan on Dysarts couch tone bewildered and confused. Our group also thought it would be a good idea to have three onlookers spirit in on them, wearing disgusted expressions. They represented Bennett, Thoroughgood, and the public who are mentioned in Act 1, Scene 2 just before Hester reveals Alans crime.The second idea that we chose was Alans confusion about which parent he should listen to his mother with her religious ideas, or his father who insisted on no television. To do this we sat Alan in the middle of the sofa, with Dora on one face reading an imaginary Bible, and Frank on the other pointing at Alan with a stern stare, frowning at Dora.The third and final image we chose was of the main event Alan blinding the horses. For this we had three people as horses, with Alan standing in front of them looking terrified, confused, and angry. I think that the images we chose in truth captured the main points and sum of money of the play. The last one especially helped me to understand Alans motivation for this terrible act.The next thing we did was to rehearse the main scenes we had focused on 1-3, 7, and 33-34. Everyone was disposed the chance to play Dysart in Scene 1 him being the besides character in the scene. This, as I have previously said, was a very difficult task due to the emotions conveyed and the tone required. In Scene 7, I played Dora. This I actually ready tougher than playing Dysart because I found it more difficult to act her and was embarrassed when she read from the Bible. I also found it hard to speak in a imperial voice when she is reciting from a book called Prince that Alan used to enjoy when he was younger. monologueTo capture the thoughts and feelings on the night of the act, I have scripted a one-hundred word monologue from Dysarts perspective (at the end of the play)There he was, sitting there with Jill, the stable girl. Alone togetherbut they werent aloneEquus was there observation. Listening. Seeing.Suddenly, Alan caught sight of him. He knew that Equus had seen him failso God had seen him fail. He must stop God from seeing him. He has to prevent the horses from looking at him. God looking at himhe must blind them. All six. And fast.I have taken Equus from Alan. He is normal but at what cost, and to whom? straight off Equus lives with methere is, in my mouth a sharp chain. And it never comes out.Directors InstructionsUltimately, Equus is as much about Alan as it is about Dysart. As a director, I would advise the actors to not just act the character, but be the character learn and understand Dysart how he feels, thinks, and accepts people, whatever theyve done.I would want the audience to feel intrigued about Dysarts intricate life and emotions, but also leave the theatre thinking about what will happen nextEvaluationInteresting PointsI found many things interesting in performing Equus and the themes it explored. One of the things I enjoyed in performance was the variety. For example there were humorous scenes such as scene 3, in which Alan sings but also more serious and dramatic, scenes as well such as Dysarts soliloquy in Scene 1. In performing, I also enjoyed the fact that it explored lots of different emotions Alans madness and Dysart being, in a way, traumatised by his dreams of cutting up children.Equus also tackles a range of themes. The play, in itself, has an unusual theme right from the start. I can disturb to the theme of religion as my mum is a Christian and my dad is an atheist.Film AdaptationIn class we watched the film adaptation of Equus. There were many differences between the film and the play. I feel that the play works better and it has a more decent effect on the audience. Also, I felt that in the film Dysarts opening speech wasnt as good as it could have been. The whole speech was just a close-up of his face, and the actor did not show much emotion through his features, or use it to his best ability. playacting the play myself was very different from watching the film or watching other people perform. When I performed the play, I was very surprised at how I found it easier to perform Jill and Dysart than the other characters. Jill I found easy because she is a similar age to me so I could r elate to her emotions and feelings. However, I cant begin to understand why I found it easy to Dysart. I have nothing in common with him and he seems to be a very complicated character. It is possible that it was because he is so different that I found it easy to play him the two extremes individual similar to me and someone completely different. Another possible reason why I found him easier was because I think that when you start reading the play, you subconsciously choose between Alan and Dysart, and I chose Dysart. I found Alan hard to relate to. Even though we worked very hard in class to understand why Alan committed the crime, I didnt fully understand until right at the very end after the rehearsals.If I had had more time to prepare or learn Equus, I think it would have been easier because it was not until the very end of our work that I started to really understand it. colleague EvaluationOne person in the group whose work really impressed me was Marc. I thought that Marc really connected with and understood Alan. He was really convincing and performed well in various activities. Even when he had to sing he did it with a lot of confidence and enthusiasm. Many of us would have been very embarrassed about having to do this especially in front of peers. He really impressed me when we were doing the hot-seating activity. He had played Alan and we were asking him questions about the night of the act. What impressed me was how, when asked a question he didnt know the answer to, he sang one of the tunes because thats what Alan does in the play when Dysart questions him.Overall, I really enjoyed working on, and participating in activities about Equus. I thought that the play was fascinating and exciting, but also interesting and stimulating.